A rhapsody for SSA and piano. The text is a poem by Ibn Gabirol.
AVAILABLE AS PDF/DOWNLOAD ONLY. Please contact us at 212-650-4105 to arrange delivery.
The poignancy of a worshipper asking for the ability to pray: only Michael Isaacson could create a fitting enough vehicle for the delicate, beautiful imagery of these words. Ebbing and flowing, this is a progressive yet accessible piece in both Hebrew and English.
One of the patriarchs of serious Jewish music, composer and cantor Stephen Richards provides a riveting song cycle on the recurring theme of the mountain in Jewish religious text, containing four pieces entirely in English and spanning many different ends of the dramatic spectrum.
Five anthems for SATB and organ: 1. How glorious is Thy name (Psalm 8 1, 2); 2. I lift mine eyes (Psalm 121); 3. The Lord is my strength (Psalm 118 14, 17); Beyond the stars (John Slater); 5. All the stars of morning (Yehuda Halevi/Nina ...
For two-part choir. Texts: 1. Ata Hu; 2. Tolicheini l'shalom; 3. Tishm'reinu; 4. Al tis'na; 5. N'tsor l'shoni meira; 6. Y'varech'cha b'chol tov
From New Horizon Music Publications.
FOR PDF/DOWNLOAD ONLY. Please contact us at 212-65...
This fun, gospel-style piece is arranged for women's choir with solo and keyboard, but can also be used with other vocal configurations by assigning the solo and SSA parts to various voices. It begins slow and soulfully, the middle section is fast and driving, and the conclusion returns to the op...
A new, expanded edition of this traditional liturgical melody and text by the daughter and son-in-law of Cantor Jacob Goldstein. Appropriate for worship or concert use.
This setting for three-part choir (a variety of combinations could be used) of text from Pirkei Avot (Sayings of the Fathers) sets a peaceful mood in keeping with the teachings of the text.
"Who is the one that desires life?" A slow, haunting arrangement of this iconic melody offers treble choirs a fantastic performance possibility for use in secular and religious settings alike. Hebrew words from Psalm 34.
This unique cantata was commissioned by a wealthy Provencal family in the late 17th century to celebrate their son's circumcision. It consists of arias, dances and choruses in the French Baroque style
For SSA with keyboard.
Jane Roman Pitt has crafted a powerful and convincing statement about the central role of women in Jewish-and world-history.
A stirring piece for women's voices, this piece speaks timelessly and clearly and would be welcome in any women's chorus program, as well as for female voices in any other choral context.
